AppleMusicJazz Playlist With Alan Silva A.R.T.DA MyStreamS

This type of geometric Spontaneous Composition holds a fascination for me. It’s a way of using the “other”, sometimes neglected elements of Abstract Rhythm in Timemusic like texture, color, density, transparency, spatial relationships...rhythmic motives, rather than Time pulse. It represents an experience of music where emphasis is on the vertical, profound plane rather than on the narrative expression on the horizontal linear plane musicians commonly use.Improvisation and experimentation from artists who explore music’s outer reaches ECM (Edition of Contemporary Music) is an independent record label founded by Karl Egger, Manfred Eicher and Manfred Scheffner in Munich in 1969. While ECM is best known for jazz music, the label has released a variety of recordings, and ECM's artists often refuse to acknowledge boundaries between genres. ECM's motto is "the most beautiful sound next to silence", taken from a 1971 review of ECM releases in Coda, a Canadian jazz magazin

This type of geometric Spontaneous Composition holds a fascination for me. It’s a way of using the “other”, sometimes neglected elements of Abstract Rhythm in Timemusic like texture, color, density, transparency, spatial relationships...rhythmic motives, rather than Time pulse. It represents an experience of music where emphasis is on the vertical, profound plane rather than on the narrative expression on the horizontal linear plane musicians commonly use.Improvisation and experimentation from artists who explore music’s outer reaches “This is our quest to show the universality of jazz music,” says Shuya Okino, half of Japanese duo Kyoto Jazz Massive, about their takeover of our uptempo jazz playlist. “We’ve combined old and new tracks from different countries, and we worked to make the musical gradation natural.” That gradation includes Sleep Walker’s “THE VOYAGE” featuring Pharoah Sanders—“one of the greatest collaborations between a Japanese jazz band and a US jazz legend,” says O

This type of geometric Spontaneous Composition holds a fascination for me. It’s a way of using the “other”, sometimes neglected elements of Abstract Rhythm in Timemusic like texture, color, density, transparency, spatial relationships...rhythmic motives, rather than Time pulse. It represents an experience of music where emphasis is on the vertical, profound plane rather than on the narrative expression on the horizontal linear plane musicians commonly use.Improvisation and experimentation from artists who explore music’s outer reaches