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Abstract Rhythm in Time DigitalART With AppleMusic Noah Howard Palylist by Alan silva

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Born in New Orleans, Howard played music from childhood in his church.[3] He first learned trumpet and later switched to alto, tenor and soprano saxophone.[3] He was an innovator influenced by John Coltrane[4] and Albert Ayler. He studied with Dewey Johnson, first in Los Angeles and later on in San Francisco. When he moved to New York City he started playing with Sun Ra. He recorded his first LP as a leader, Noah Howard Quartet, in 1965 and his second LP Noah Howard at Judson Hall in 1966 both for ESP Records, but found little critical acclaim in the US.[3] In the 1960s and 1970s he performed regularly in the US and Europe, moving to Paris in 1968. In 1969, he appeared on Frank Wright's album One For John and on Black Gipsy with Archie Shepp. As leader he recorded The Black Ark [5] with Arthur Doyle among others. In 1971 he created his own record label, AltSax,[6] and published most of his music under that label. In 1971, he recorded Patterns in the Netherlands with Misha Meng

Abstract Rhythm in Time DigitalART is a video streaming With Apple Music Playlist Jazz Burton Greene

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Abstract Rhythm in Time DigitalART With AppleMusic JazzPlaylist Bobby Hutcherson Full AIbums Playlist by Alan Silva

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Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson's orchestra. Hutcherson went on to record on a number of Gerald Wilson's Pacific Jazz recordings as well as play in his orchestra. Hutcherson's sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath, Kenny Clarke and Miles Davis playing "Bemsha Swing" on the Miles Davis All Stars, Volume 2 album (1954).[8] Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxopho