Abstract Rhythm in Time DigitalART With AppleMusic JazzPlaylist Spiritual JAZZ10 2 SONGS BY Alan Silva

o experience directly, we must transcend the verbal-symbol imprint, experience energy-flow directly, receive energy messages directly. The future language of experience will be based directly on the concepts and technology of light, sound, cellular movement, sympathetic and parasympathetic nervous system imagery: direct replication of energy flow. Consciousness is a biochemical neurological decoding that takes place at many levels of the nervous system. Units of the language will be based on units for measuring and describing these energy transformations. Apple Music is a music and video streaming service developed by Apple Inc. Users select music to stream to their device on-demand, or they can listen to existing, curated playlists New subscribers get a three-month free trial period before the service becomes paid-only In the mid-'60s, a small group of jazz musicians reacted to sociopolitical turbulence with a yearning for transcendence, embracing various strains of spirituality. John Coltrane's “A Love Supreme” offered a musical salute to the divine, while Albert Ayler had a rugged take on gospel (“Love Cry”). Others turned their focus abroad, with pianist Randy Weston embracing the trance grooves of Morocco's Gnawan people (“Marrakech Blues”) and Alice Coltrane adapting Indian raga (“Journey into Satchidananda”). The movement faded in the ‘70s, but four decades later L.A.'s Kamasi Washington brought it back in response to a consumerist cultural landscape. In the mid-'60s, a small group of jazz musicians reacted to sociopolitical turbulence with a yearning for transcendence, embracing various strains of spirituality. John Coltrane's “A Love Supreme” offered a musical salute to the divine, while Albert Ayler had a rugged take on gospel (“Love Cry”). Others turned their focus abroad, with pianist Randy Weston embracing the trance grooves of Morocco's Gnawan people (“Marrakech Blues”) and Alice Coltrane adapting Indian raga (“Journey into Satchidananda”). The movement faded in the ‘70s, but four decades later L.A.'s Kamasi Washington brought it back in response to a consumerist cultural landscape. https://www.lejazzophone.com/jazz-histoire-spiritual-jazz/