Abstract Rhythm in Time DigitalART is a YouTube video streaming With Apple Music Playlist Jazz Outer Orbits June

Abstract Rhythm in Time DigitalART is a music and video streaming service developed by Alan Silva o experience directly, we must transcend the verbal-symbol imprint, experience energy-flow directly, receive energy messages directly. The future language of experience will be based directly on the concepts and technology of light, sound, cellular movement, sympathetic and parasympathetic nervous system imagery: direct replication of energy flow. Consciousness is a biochemical neurological decoding that takes place at many levels of the nervous system. Units of the language will be based on units for measuring and describing these energy transformations. Apple Music is a music and video streaming service developed by Apple Inc. Users select music to stream to their device on-demand, or they can listen to existing, curated playlists New subscribers get a three-month free trial period before the service becomes paid-only This type of geometric Spontaneous Composition holds a fascination for me. It’s a way of using the “other”, sometimes neglected elements of Abstract Rhythm in Timemusic like texture, color, density, transparency, spatial relationships...rhythmic motives, rather than Time pulse. It represents an experience of music where emphasis is on the vertical, profound plane rather than on the narrative expression on the horizontal linear plane musicians commonly use.Improvisation and experimentation from artists who explore music’s outer reaches. Our editors regularly update this playlist—if you hear something you like, add it to your library. Idiom by composer/saxophonist/ flutist Anna Webber is the follow-up to her critically-acclaimed release Clockwise, which the Wall Street Journal called "visionary and captivating" and NPR described as “heady music [that] appeal to the rest of the body.” Idiom is a series of six pieces, each of which is based on a specific woodwind extended technique -- a broad term meaning any non-traditional way of producing sound on an instrument, including the use of multiphonics, alternate fingerings, key clicks, overblown notes, and the like -- that she has taken from her own improvisational language. The works are the upshot of her belief that jazz composers/performers are in a privileged position to create the perfect vehicles for themselves as improvisers. As a frequent user of extended techniques in her own playing, Webber set out to create a continuum between her compositional and improvisatory vocabulary, orchestrating these effects across the ensemble, and applying them to different instruments. They are also used to generate chords and scales and, overall, gave license to utilize other naturally occurring sounds, opening up whole new worlds of mysterious sonic combinations and orchestrations. “Idiom II” from this book of compositions appeared on Clockwise, while the new project – spread out over two volumes – comprises the other five “Idiom” pieces. The first four of these feature her Simple Trio – Webber with drummer John Hollenbeck and pianist Matt Mitchell – which has been her primary working group for the past eight years. The hour-long “Idiom VI” is performed by a twelve-piece ensemble that brings together a mix of musicians equally split between improvisors and new music specialists. With Idiom, Webber has created a singular sonic world, a bold magnum opus that paves a new path for the amalgamation of cutting-edge composition and improvisation.