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Abstract Rhythm in Time DigitalART With AppleMusicJazz Playlist AtlanticJazz RecordsPlaylist full Album by Alan Silva

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This is an Atlantic Records Discography, albums released on the Atlantic Records label from its founding up until 1982, ordered by catalog number. Two of the major series of LP recordings were the "1200" and "8000" series, started by Nesuhi Ertegun. The "1200" series was reserved for jazz albums. The "8000" and subsequent series, started shortly after the 1200 in 1956, featured Atlantic's R&B and pop albums; when the "1200" series was discontinued in the 1970s, the jazz albums were mixed with the R&B and pop albums in their respective series. This list includes albums using Atlantic's numbering system that were released under their numerous subsidiary labels. There is a section containing albums related to the label as well.

Abstract Rhythm in Time DigitalART With AppleMusicPlaylist Albert Ayler Essentials Afro-Cuban Jazz Essentials Archie Shepp Essentials

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Abstract Rhythm in Time DigitalART With AppleMusicPlaylist fusion of downtempo, IDM, ambient techno, and progressive trance

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his type of geometric Spontaneous Composition with Apple Music progressive trance by ALAN SILVA This type of geometric Spontaneous Composition holds a fascination for me. It’s a way of using the “other”, sometimes neglected elements of Abstract Rhythm in Timemusic like texture, color, density, transparency, spatial relationships...rhythmic motives, rather than Time pulse

Abstract Rhythm in Time DigitalART With AppleMusicJAZZ The Art Ensemble of Chicago Palylist by Alan silva

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Art Ensemble of Chicago Art Ensemble of Chicago, New Jazz Festival Moers (Moers Festival), 1978 Art Ensemble of Chicago, New Jazz Festival Moers (Moers Festival), 1978 Background information Origin Chicago, Illinois, U.S. Genres Avant-garde jazz, free jazz Years active 1969–present Labels BYG, Nessa, Delmark, ECM, AECO, Pi Members Roscoe Mitchell Famadou Don Moye and "guests" Past members Lester Bowie Malachi Favors Joseph Jarman Phillip Wilson Corey Wilkes Baba Sissoko Ari Brown Elliot Ngubone Website www.artensembleofchicago.com The Art Ensemble of Chicago is an avant-garde jazz group that grew out of the Association for the Advancement of Creative Musicians (AACM) in the late 1960s.[1] The ensemble integrates many jazz styles and plays many instruments, including "little instruments": bells, bicycle horns, birthday party noisemakers, wind chimes, and various forms of percussion. The musicians would wear costumes and face paint while performing. These charact...

Abstract Rhythm in Time DigitalART With AppleMusic Noah Howard Palylist by Alan silva

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Born in New Orleans, Howard played music from childhood in his church.[3] He first learned trumpet and later switched to alto, tenor and soprano saxophone.[3] He was an innovator influenced by John Coltrane[4] and Albert Ayler. He studied with Dewey Johnson, first in Los Angeles and later on in San Francisco. When he moved to New York City he started playing with Sun Ra. He recorded his first LP as a leader, Noah Howard Quartet, in 1965 and his second LP Noah Howard at Judson Hall in 1966 both for ESP Records, but found little critical acclaim in the US.[3] In the 1960s and 1970s he performed regularly in the US and Europe, moving to Paris in 1968. In 1969, he appeared on Frank Wright's album One For John and on Black Gipsy with Archie Shepp. As leader he recorded The Black Ark [5] with Arthur Doyle among others. In 1971 he created his own record label, AltSax,[6] and published most of his music under that label. In 1971, he recorded Patterns in the Netherlands with Misha Meng...

Abstract Rhythm in Time DigitalART is a video streaming With Apple Music Playlist Jazz Burton Greene

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Abstract Rhythm in Time DigitalART With AppleMusic JazzPlaylist Bobby Hutcherson Full AIbums Playlist by Alan Silva

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Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson's orchestra. Hutcherson went on to record on a number of Gerald Wilson's Pacific Jazz recordings as well as play in his orchestra. Hutcherson's sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath, Kenny Clarke and Miles Davis playing "Bemsha Swing" on the Miles Davis All Stars, Volume 2 album (1954).[8] Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxopho...